From the moment the incredible pounding bass line of The Immigrant Song pumps through the speakers, accompanied by perhaps the greatest opening title sequence in cinema history, you know that this film is going to be one hell of a ride. For those of you familiar with the original novel from Stieg Larsson, you’ll know that the …
Category: Reviews
Hugo | Review
Leaving behind the Mean Streets and ruthless criminal underworld of America, Martin Scorsese brings us Hugo, a purely family entertainment film that on the surface seems a massive departure for Scorsese, but in reality is possibly one of his most fitting cinematic vehicles. From one of his first short films The Big Shave, Scorsese is famed for his …
Another Earth | Review
In a masterful and emotional debut, Mike Cahill adds a twist to the familiar tale of redemption and remorse. Whilst many films ask ‘what if’, very few provide the hope of an answer, Another Earth does just that. The film combines substance, with high-concept that exceeds the bounds of similar stories in a way that …
My Week With Marilyn | Review
In 1956 Marilyn Monroe arrived in England to shoot the ill-fated The Prince and the Showgirl, directed by and starring the illustrious Laurence Olivier. The film had little success upon its release, instead becoming renowned for the drama behind the cameras instead of that in front. From the conflict and turmoil however, there arose another story …
War Horse | Review
War Horse is the latest family fare from Spielberg, the big-screen adaptation of the children’s novel by Michael Morpurgo. In essence, War Horse is the perfect vehicle for Spielberg, whose stories often deal with separation or the pursuit of a goal, the journey between, and of course the eventual reconciliation. Films such as Saving Private Ryan, Indiana Jones & …
J. Edgar | Review
From the trailer J. Edgar looks like an insightful journey through a tumultuous period in American history, with a narrative that winds its way through a patchwork of significant cultural events. Unfortunately, the film in its entirety, does not deliver. Instead Clint Eastwood’s latest movie is a plodding, confused biopic of the man who is responsible …
The Artist | Review
The end of 2011 has been kind to cinephiles. First, we were entertained by the magical and heart-warming tribute to Georges Méliès and cinematic history in Martin Scorsese’s wondrous 3D adventure, Hugo. For many, Scorsese reignited the love of the silent era and consequently, a wistful desire for the magic and storytelling techniques afforded by the rigorous constraints …